The Strange Case Of Dr. Jekyll And Mr. Hyde - 900 Words

Everyone has to deal with some sort of temptations in their lives. Usually temptations are negative, but they may differ depending on the person. Some people may not like to admit this but everyone has a dark side and sometimes it shows. A person needs to let out some darkness at some points in their lives because nobody should bottle their emotions up. One man’s dark temptations are looked at in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. In this novel, it starts out introducing Mr.Utterson who is a lawyer. He is walking with his cousin Mr. Enfield and they find a door which leads them to a house. Mr. Enfield starts telling a story and that is how Mr.Hyde and Dr.Jekyll are introduced. â€Å" All at once, I saw two figures: one a little man who was stumping along eastward at a good walk, and the other a girl of maybe eight or ten who was running as hard as she was able down a cross street. Well, sir, the two ran into one another naturally enough at a corner; and then came the horrible part of the thing; for the man trampled calmly over the child’s body and left her screaming on the ground† (Stevenson 9). Mr. Utterson becomes curious as to who the person was and after doing some investigating he discovers that Dr.Jekyll is Mr.Hyde. Dr.Jekyll wanted a way to let out the bad that he had inside of him, but he didn t want anyone to see him differently. He decided to make a potion, and when he drank the potion he would turn into Mr.Hyde. A movie I veShow MoreRelatedThe Strange Case Of Dr. Jekyll And Mr. Hyde1675 Words   |  7 PagesThe Strange Case of Dr. Jekyll and Mr. Hyde Essay Robert Louis Stevenson’s novella, â€Å"The Strange Case of Dr. Jekyll and Mr. Hyde,† is a type of Gothic literature. In the beginning of the story when Stevenson is describing the lawyer, one â€Å"Mr. Utterson,† the mood is a bit dull. At first glance the reader may think that this story would be a bit boring and drab. Stevenson’s story is far from being another dull piece of British English literature. The setting and mood of this novella are more complexRead MoreThe Strange Case Of Dr. Jekyll And Mr. Hyde Essay975 Words   |  4 PagesStevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde is a novella that follows the basic outline established by Mary Shelley in Frankenstein. However, Stevenson’s monster is not created from body parts but comes from the dark side of the human personality. In both novels, a man conducts a secret experiment that gets out of control. The result of these experiments is the release of a double, or doppelgan ger, which causes damage to their creator. While most people think that The Strange Case of Dr. JekyllRead MoreThe Strange Case Of Dr. Jekyll And Mr. Hyde1440 Words   |  6 Pagescomplexity of human nature in his books, especially in The Strange Case of Dr. Jekyll and Mr. Hyde, and Kidnapped. The former is about a lawyer named Mr. Utterson seeking out the truth of Dr. Jekyll’s very strange will. He finds out that Jekyll was transforming himself into Mr. Hyde so that he could have the freedom to do whatever he wanted no matter how evil. By the time Utterson finds all this out and findsJekyll, he is too late and Jekyll has already killed himself. The latter is about David BalfourRead MoreThe Strange Case Of Dr. Jekyll And Mr. Hyde1196 Words   |  5 Pageswhich do let control you? The good or evil? This was a question that Dr. Jekyll from the book, The Strange Case of Dr. Jekyll and Mr. Hyde, could not answer. The Strange Case of Dr. Jekyll and Mr. Hyde is a book about a man who cannot control the two sides of himself, causing him to do terrible things and not even be aware of it. The theme of this book is good versus evil. Dr. Jekyll is fighting his evil side, known as Mr. Hyde, throughout the book. Some people believe that the book’s theme hasRead MoreThe Strange Case Of Dr. Jekyll And Mr. Hyde938 Words   |  4 PagesVictorian Hopes and Fears Involving Science as Found in Dr. Jekyll and Mr. Hyde During the Victorian Era there was a great race to use science to alleviate the suffering of the ill, specifically for those patients who were suffering from ailments of the mind. While some of the methods used to diagnose and treat such afflictions would be considered barbaric in nature by today’s standards, they were considered cutting edge medical science during the time of the Victorian Era. It was also consideredRead MoreThe Strange Case Of Dr. Jekyll And Mr. Hyde964 Words   |  4 PagesThe Strange case of Dr. Jekyll and Mr. Hyde, written by Robert Louis Stevenson was published in 1886. The story is published during the Victorian era, the Victorian era was an age of repression, there was no violence, no sexual appetite, and there was no great expression or emotion. In the story, Dr. Jekyll creates a potion that turns him into Mr. Hyde, Mr. Hyde is the complete opposite of what people are in the Victorian era. At first, Dr. Jekyll is in control of Mr. Hyde, but towards t he end MrRead MoreThe Strange Case Of Dr. Jekyll And Mr. Hyde1505 Words   |  7 PagesDuring the latter portion of the nineteenth century, Robert Louis Stevenson published his novella, The Strange Case of Dr Jekyll and Mr Hyde. The fin de sià ¨cle saw the rise of different thoughts and ideas surrounding science and society. These concepts and interpretations sparked the discourse surrounding the theory of degeneration; which was the concern that civilization would fall to a lower state of being. This chapter will be reading multiplex personality as a manifestation of this broader culturalRead MoreThe Strange Case Of Dr. Jekyll And Mr. Hyde1739 Words   |  7 Pagesnovel â€Å"The Strange Case of Dr. Jekyll and Mr Hyde† by Robert Louis Stevenson, the novel â€Å"Frankenstein† by Mary Shelley, the short story â€Å"The Monkey’s Paw† by W.W Jacobs and the short story â€Å"Yellow Wallpaper† by Charlotte Perkins Gilman. These four texts convey this theme through the use of gothic conventions such as death, madness and darkness. In the novels The Strange Case of Dr. Jekyll and Mr Hyde by Robert Louis Stevenson and Frankenstein by Mary Shelley, Frankenstein and Dr. Jekyll are wronglyRead MoreThe Strange Case Of Dr. Jekyll And Mr. Hyde1351 Words   |  6 PagesThe Personas of Henry Jekyll Every person is born with bright and dark personas that people moderate due to the standards of society. In The Strange Case of Dr. Jekyll and Mr. Hyde, Jekyll and Hyde battle for the power to stay alive in the story. As Jekyll continues to try and take over his evil persona, Hyde tries to stay alive and cause evil in the world. In our society, many people will struggle with self control and Dr. Jekyll has trouble controlling his alter ego by performing his evil pleasuresRead MoreThe Strange Case Of Dr. Jekyll And Mr. Hyde1326 Words   |  6 Pages The Strange Case of Dr. Jekyll and Mr. Hyde was published during the late Victorian era, but he clearly brings into question the acceptance of Victorian philosophies, especially the belief that one truth exists and that we can identify good and evil as separate entities. The names Jekyll and Hyde have become synonymous with multiple personality disorder. This novel can be examined from the natural dualism and Freud’s structural th eory of the mind. In The Strange Case of Dr. Jekyll and Mr

Black House Chapter Three Free Essays

string(97) " Dangling from one ear-lobe is a lightning-bolt earring that looks suspiciously like the Nazi S\." 3 OUT TYLER’S WINDOW we go, away from Libertyville, flying southwest on a diagonal, not lingering now but really flapping those old wings, flying with a purpose. We’re headed toward the heliograph flash of early-morning sun on the Father of Waters, also toward the world’s largest six-pack. Between it and County Road Oo (we can call it Nail-house Row if we want; we’re practically honorary citizens of French Landing now) is a radio tower, the warning beacon on top now invisible in the bright sunshine of this newborn July day. We will write a custom essay sample on Black House Chapter Three or any similar topic only for you Order Now We smell grass and trees and warming earth, and as we draw closer to the tower, we also smell the yeasty, fecund aroma of beer. Next to the radio tower, in the industrial park on the east side of Peninsula Drive, is a little cinder-block building with a parking lot just big enough for half a dozen cars and the Coulee patrol van, an aging Ford Econoline painted candy-apple pink. As the day winds down and afternoon wears into evening, the cylindrical shadows of the six-pack will fall first over the sign on the balding lawn facing the drive, then the building, then the parking lot. KDCU-AM, this sign reads, YOUR TALK VOICE IN COULEE COUNTRY. Spray-painted across it, in a pink that almost matches the patrol van, is a fervent declaration: TROY LUVS MARYANN! YES! Later on, Howie Soule, the U-Crew engineer, will clean this off (probably during the Rush Limbaugh show, which is satellite fed and totally automated), but for now it stays, telling us all we need to know about small-town luv in middle America. Looks like we found something nice after all. Coming out of the station’s side door as we arrive is a slender man dressed in pleated khaki Dockers, a tieless white shirt of Egyptian cotton buttoned all the way to the neck, and maroon braces (they are as slim as he is, those braces, and far too cool to be called suspenders; suspenders are vulgar things worn by such creatures as Chipper Maxton and Sonny Heartfield, down at the funeral home). This silver-haired fellow is also wearing a very sharp straw fedora, antique but beautifully kept. The maroon hatband matches his braces. Aviator-style sunglasses cover his eyes. He takes a position on the grass to the left of the door, beneath a battered speaker that is amping KDCU’s current broadcast: the local news. This will be followed by the Chicago farm report, which gives him ten minutes before he has to settle in behind the mike again. We watch in growing puzzlement as he produces a pack of American Spirit cigarettes from his shirt pocket and fires one up with a gold lighter. Surely this elegant fellow in the braces, Dockers, and Bass Weejuns cannot be George Rathbun. In our minds we have already built up a picture of George, and it is one of a fellow very different from this. In our mind’s eye we see a guy with a huge belly hanging over the white belt of his checked pants (all those ballpark bratwursts), a brick-red complexion (all those ballpark beers, not to mention all that bellowing at the dastardly umps), and a squat, broad neck (perfect for housing those asbestos vocal cords). The George Rathbun of our imagination and all of Coulee Country’s, it almost goes without saying is a pop-eyed, broad-assed, wild-haired, leather-lunged, Rolaids-popping, Chevy-driving, Republican-voting heart attack waiting to happen, a churning urn of sports trivia, mad enthusiasms, crazy prejudices, and high choleste rol. This fellow is not that fellow. This fellow moves like a dancer. This fellow is iced tea on a hot day, cool as the king of spades. But say, that’s the joke of it, isn’t it? Uh-huh. The joke of the fat dee-jay with the skinny voice, only turned inside out. In a very real sense, George Rathbun does not exist at all. He is a hobby in action, a fiction in the flesh, and only one of the slim man’s multiple personalities. The people at KDCU know his real name and think they’re in on the joke (the punch line of course being George’s trademark line, the even-a-blind-man thing), but they don’t know the half of it. Nor is this a metaphorical statement. They know exactly one-third of it, because the man in the Dockers and the straw fedora is actually four people. In any case, George Rathbun has been the saving of KDCU, the last surviving AM station in a predatory FM market. For five mornings a week, week in and week out, he has been a drive-time bonanza. The U-Crew (as they call themselves) love him just about to death. Above him, the loudspeaker cackles on: † still no leads, according to Chief Dale Gilbertson, who has called Herald reporter Wendell Green ? ®an out-of-town fearmonger who is more interested in selling papers than in how we do things in French Landing.’ â€Å"Meanwhile, in Arden, a house fire has taken the lives of an elderly farmer and his wife. Horst P. Lepplemier and his wife, Gertrude, both eighty-two . . .† â€Å"Horst P. Lepplemier,† says the slim man, drawing on his cigarette with what appears to be great enjoyment. â€Å"Try saying that one ten times fast, you moke.† Behind him and to his right, the door opens again, and although the smoker is still standing directly beneath the speaker, he hears the door perfectly well. The eyes behind the aviator shades have been dead his whole life, but his hearing is exquisite. The newcomer is pasty-faced and comes blinking into the morning sun like a baby mole that has just been turned out of its burrow by the blade of a passing plow. His head has been shaved except for the Mo-hawk strip up the center of his skull and the pigtail that starts just above the nape of his neck and hangs to his shoulder blades. The Mohawk has been dyed bright red; the ‘tail is electric blue. Dangling from one ear-lobe is a lightning-bolt earring that looks suspiciously like the Nazi S. You read "Black House Chapter Three" in category "Essay examples"S. insignia. He is wearing a torn black T-shirt with a logo that reads SNIVELLING SHITS ’97: THE WE GET HARD FOR JESUS TOUR. In one hand this colorful fellow has a CD jewel box. â€Å"Hello, Morris,† says the slim man in the fedora, still without turning. Morris pulls in a little gasp, and in his surprise looks like the nice Jewish boy that he actually is. Morris Rosen is the U-Crew’s summer intern from the Oshkosh branch of UW. â€Å"Man, I love that unpaid grunt labor!† station manager Tom Wiggins has been heard to say, usually while rubbing his hands together fiendishly. Never has a checkbook been guarded so righteously as the Wigger guards the KDCU check-book. He is like Smaug the Dragon reclining on his heaps of gold (not? that there are heaps of anything in the ‘DCU accounts; it bears repeating to say that, as an AM talker, the station is lucky just to be alive). Morris’s look of surprise it might be fair to call it uneasy surprise dissolves into a smile. â€Å"Wow, Mr. Leyden! Good grab! What a pair of ears!† Then he frowns. Even if Mr. Leyden who’s standing directly beneath the outside honker, can’t forget that heard someone come out, how in God’s name did he know which someone it was? â€Å"How’d you know it was me?† he asks. â€Å"Only two people around here smell like marijuana in the morning,† Henry Leyden says. â€Å"One of them follows his morning smoke with Scope; the other that’s you, Morris just lets her rip.† â€Å"Wow,† Morris says respectfully. â€Å"That is totally bitchrod.† â€Å"I am totally bitchrod,† Henry agrees. He speaks softly and thoughtfully. â€Å"It’s a tough job, but somebody has to do it. In regard to your morning rendezvous with the undeniably tasty Thai stick, may I offer an Appalachian aphorism?† â€Å"Go, dude.† This is Morris’s first real discussion with Henry Leyden, who is every bit the head Morris has been told to expect. Every bit and more. It is no longer so hard to believe that he could have another identity . . . a secret identity, like Bruce Wayne. But still . . . this is just so pimp. â€Å"What we do in our childhood forms as a habit,† Henry says in the same soft, totally un?CGeorge Rathbun voice. â€Å"That is my advice to you, Morris.† â€Å"Yeah, totally,† Morris says. He has no clue what Mr. Leyden is talking about. But he slowly, shyly, extends the CD jewel box in his hand. For a moment, when Henry makes no move to take it, Morris feels crushed, all at once seven years old again and trying to wow his always-too-busy father with a picture he has spent all afternoon drawing in his room. Then he thinks, He’s blind, dickweed. He may be able to smell pot on your breath and he may have ears like a bat, but how’s he supposed to know you’re holding out a fucking CD? Hesitantly, a bit frightened by his own temerity, Morris takes Henry’s wrist. He feels the man start a little, but then Leyden allows his hand to be guided to the slender box. â€Å"Ah, a CD,† Henry says. â€Å"And what is it, pray tell?† â€Å"You gotta play the seventh track tonight on your show,† Morris says. â€Å"Please.† For the first time, Henry looks alarmed. He takes a drag on his cigarette, then drops it (without even looking of course, ha ha) into the sand-filled plastic bucket by the door. â€Å"What show could you possibly mean?† he asks. Instead of answering directly, Morris makes a rapid little smacking noise with his lips, the sound of a small but voracious carnivore eating something tasty. And, to make things worse, he follows it with the Wisconsin Rat’s trademark line, as well known to the folks in Morris’s age group as George Rathbun’s hoarse â€Å"Even a blind man† cry is known to their elders: â€Å"Chew it up, eat it up, wash it down, it aaallll comes out the same place!† He doesn’t do it very well, but there’s no question who he’s doing: the one and only Wisconsin Rat, whose evening drive-time program on KWLA-FM is famous in Coulee Country (except the word we probably want is â€Å"infamous†). KWLA is the tiny college FM station in La Riviere, hardly more than a smudge on the wallpaper of Wisconsin radio, but the Rat’s audience is huge. And if anyone found out that the comfortable Brew Crew?Crooting, Republican-voting, AM-broadcasting George Rathbun was also the Rat who had once narrated a gleeful on-air evacuation of his bowels onto a Backstreet Boys CD there could be trouble. Quite serious, possibly, resounding well beyond the tight-knit little radio community. â€Å"What in God’s name would ever make you think that I’m the Wisconsin Rat, Morris?† Henry asks. â€Å"I barely know who you’re talking about. Who put such a weird idea in your head?† â€Å"An informed source,† Morris says craftily. He won’t give Howie Soule up, not even if they pull out his fingernails with red-hot tongs. Besides, Howie only found out by accident: went into the station crapper one day after Henry left and discovered that Henry’s wallet had fallen out of his back pocket while he was sitting on the throne. You’d have thought a fellow whose other senses were so obviously tightwired would have sensed the absence, but probably Henry’s mind had been on other things he was obviously a heavy dude who undoubtedly spent his days getting through some heavy thoughts. In any case, there was a KWLA I.D. card in Henry’s wallet (which Howie had thumbed through â€Å"in the spirit of friendly curiosity,† as he put it), and on the line marked NAME, someone had stamped a little inkpad drawing of a rat. Case closed, game over, zip up your fly. â€Å"I have never in my life so much as stepped through the door of KWLA,† Henry says, and this is the absolute truth. He makes the Wisconsin Rat tapes (among others) in his studio at home, then sends them in to the station from the downtown Mail Boxes Etc., where he rents under the name of Joe Strummer. The card with the rat stamped on it was more in the nature of an invitation from the KWLA staff than anything else, one he’s never taken up . . . but he kept the card. â€Å"Have you become anyone else’s informed source, Morris?† â€Å"Huh?† â€Å"Have you told anyone that you think I’m the Wisconsin Rat?† â€Å"No! Course not!† Which, as we all know, is what people always say. Luckily for Henry, in this case it happens to be true. So far, at least, but the day is still young. â€Å"And you won’t, will you? Because rumors have a way of taking root. Just like certain bad habits.† Henry mimes puffing, pulling in smoke. â€Å"I know how to keep my mouth shut,† Morris declares, with perhaps misplaced pride. â€Å"I hope so. Because if you bruited this about, I’d have to kill you.† Bruited, Morris thinks. Oh man, this guy is complete. â€Å"Kill me, yeah,† Morris says, laughing. â€Å"And eat you,† Henry says. He is not laughing; not even smiling. â€Å"Yeah, right.† Morris laughs again, but this time the laugh sounds strangely forced to his own ears. â€Å"Like you’re Hannibal Lecture.† â€Å"No, like I’m the Fisherman,† Henry says. He slowly turns his aviator sunglasses toward Morris. The sun reflects off them, for a moment turning them into rufous eyes of fire. Morris takes a step back without even realizing that he has done so. â€Å"Albert Fish liked to start with the ass, did you know that?† â€Å"N â€Å" â€Å"Yes indeed. He claimed that a good piece of young ass was as sweet as a veal cutlet. His exact words. Written in a letter to the mother of one of his victims.† â€Å"Far out,† Morris says. His voice sounds faint to his own ears, the voice of a plump little pig denying entrance to the big bad wolf. â€Å"But I’m not exactly, like, worried that you’re the Fisherman.† â€Å"No? Why not?† â€Å"Man, you’re blind, for one thing!† Henry says nothing, only stares at the now vastly uneasy Morris with his fiery glass eyes. And Morris thinks: But is he blind? He gets around pretty good for a blind guy . . . and the way he tabbed me as soon as I came out here, how weird was that? â€Å"I’ll keep quiet,† he says. â€Å"Honest to God.† â€Å"That’s all I want,† Henry says mildly. â€Å"Now that we’ve got that straight, what exactly have you brought me?† He holds up the CD but not as if he’s looking at it, Morris observes with vast relief. â€Å"It’s, um, this Racine group. Dirtysperm? And they’ve got this cover of ? ®Where Did Our Love Go’? The old Supremes thing? Only they do it at like a hundred and fifty beats a minute? It’s fuckin’ hilarious. I mean, it destroys the whole pop thing, man, blitzes it!† â€Å"Dirtysperm,† Henry says. â€Å"Didn’t they used to be Jane Wyatt’s Clit?† Morris looks at Henry with awe that could easily become love. â€Å"Dirtysperm’s lead guitarist, like, formed JWC, man. Then him and the bass guy had this political falling-out, something about Dean Kissinger and Henry Acheson, and Ucky Ducky he’s the guitarist went off to form Dirtysperm.† † ? ®Where Did Our Love Go’?† Henry muses, then hands the CD back. And, as if he sees the way Morris’s face falls: â€Å"I can’t be seen with something like that use your head. Stick it in my locker.† Morris’s gloom disappears and he breaks into a sunny smile. â€Å"Yeah, okay! You got it, Mr. Leyden!† â€Å"And don’t let anyone see you doing it. Especially not Howie Soule. Howie’s a bit of a snoop. You’d do well not to emulate him.† â€Å"No way, baby!† Still smiling, delighted at how all this has gone, Morris reaches for the door handle. â€Å"And Morris?† â€Å"Yeah?† â€Å"Since you know my secret, perhaps you’d better call me Henry.† â€Å"Henry! Yeah!† Is this the best morning of the summer for Morris Rosen? You better believe it. â€Å"And something else.† â€Å"Yeah? Henry?† Morris dares imagine a day when they will progress to Hank and Morrie. â€Å"Keep your mouth shut about the Rat.† â€Å"I already told you â€Å" â€Å"Yes, and I believe you. But temptation comes creeping, Morris; temptation comes creeping like a thief in the night, or like a killer in search of prey. If you give in to temptation, I’ll know. I’ll smell it on your skin like bad cologne. Do you believe me?† â€Å"Uh . . . yeah.† And he does. Later, when he has time to kick back and reflect, Morris will think what a ridiculous idea that is, but yes, at the time, he believes it. Believes him. It’s like being hypnotized. â€Å"Very good. Now off you go. I want Ace Hardware, Zaglat Chevy, and Mr. Tastee Ribs all cued up for the first seg.† â€Å"Gotcha.† â€Å"Also, last night’s game â€Å" â€Å"Wickman striking out the side in the eighth? That was pimp. Totally, like, un-Brewers.† â€Å"No, I think we want the Mark Loretta home run in the fifth. Loretta doesn’t hit many, and the fans like him. I can’t think why. Even a blind man can see he has no range, especially from deep in the hole. Go on, son. Put the CD in my locker, and if I see the Rat, I’ll give it to him. I’m sure he’ll give it a spin.† â€Å"The track â€Å" â€Å"Seven, seven, rhymes with heaven. I won’t forget and neither will he. Go on, now.† Morris gives him a final grateful look and goes back inside. Henry Leyden, alias George Rathbun, alias the Wisconsin Rat, also alias Henry Shake (we’ll get to that one, but not now; the hour draweth late), lights another cigarette and drags deep. He won’t have time to finish it; the farm report is already in full flight (hog bellies up, wheat futures down, and the corn as high as an elephant’s eye), but he needs a couple of drags just now to steady himself. A long, long day stretches out ahead of him, ending with the Strawberry Fest Hop at Maxton Elder Care, that house of antiquarian horrors. God save him from the clutches of William â€Å"Chipper† Maxton, he has often thought. Given a choice between ending his days at MEC and burning his face off with a blowtorch, he would reach for the blowtorch every time. Later, if he’s not totally exhausted, perhaps his friend from up the road will come over and they can begin the long-promised reading of Bleak House. That would be a treat. How long, he wonders, can Morris Rosen hold on to his momentous secret? Well, Henry supposes he will find that out. He likes the Rat too much to give him up unless he absolutely has to; that much is an undeniable fact. â€Å"Dean Kissinger,† he murmurs. â€Å"Henry Acheson. Ucky Ducky. God save us.† He takes another drag on his cigarette, then drops it into the bucket of sand. It is time to go back inside, time to replay last night’s Mark Loretta home run, time to start taking more calls from the Coulee Country’s dedicated sports fans. And time for us to be off. Seven o’clock has rung from the Lutheran church steeple. In French Landing, things are getting into high gear. No one lies abed long in this part of the world, and we must speed along to the end of our tour. Things are going to start happening soon, and they may happen fast. Still, we have done well, and we have only one more stop to make before arriving at our final destination. We rise on the warm summer updrafts and hover for a moment by the KDCU tower (we are close enough to hear the tik-tik-tik of the beacon and the low, rather sinister hum of electricity), looking north and taking our bearings. Eight miles upriver is the town of Great Bluff, named for the limestone outcropping that rises there. The outcropping is reputed to be haunted, because in 1888 a chief of the Fox Indian tribe (Far Eyes was his name) assembled all his warriors, shamans, squaws, and children and told them to leap to their deaths, thereby escaping some hideous fate he had glimpsed in his dreams. Far Eyes’s followers, like Jim Jones’s, did as they were bidden. We won’t go that far upriver, however; we have enough ghosts to deal with right here in French Landing. Let us instead fly over Nailhouse Row once more (the Harleys are gone; Beezer St. Pierre has led the Thunder Five off to their day’s work at the brewery), over Queen Street and Maxton Elder Care (Burny’s down there, still looking out his window ugh), to Bluff Street. This is almost the countryside again. Even now, in the twenty-first century, the towns in Coulee Country give up quickly to the woods and the fields. Herman Street is a left turn from Bluff Street, in an area that is not quite town and not quite city. Here, in a sturdy brick house sitting at the end of a half-mile meadow as yet undiscovered by the developers (even here there are a few developers, unknowing agents of slippage), lives Dale Gilbertson with his wife, Sarah, and his six-year-old son, David. We can’t stay long, but let us at least drift in through the kitchen window for a moment. It’s open, after all, and there is room for us to perch right here on the counter, between the Silex and the toaster. Sitting at the kitchen table, reading the newspaper and shoveling Special K into his mouth without tasting it (he has forgotten both the sugar and the sliced banana in his distress at seeing yet another Wendell Green byline on the front page of the Herald), is Chief Gilbertson himself. This morning he is without doubt the unhappiest man in French Landing. We will meet his only competition for that booby prize soon, but for the moment, let us stick with Dale. The Fisherman, he thinks mournfully, his reflections on this subject very similar to those of Bobby Dulac and Tom Lund. Why didn’t you name him something a little more turn-of-the-century, you troublesome scribbling fuck? Something a little bit local? Dahmerboy, maybe, that’d be good. Ah, but Dale knows why. The similarities between Albert Fish, who did his work in New York, and their boy here in French Landing are just too good too tasty to be ignored. Fish strangled his victims, as both Amy St. Pierre and Johnny Irkenham were apparently strangled; Fish dined on his victims, as both the girl and the boy were apparently dined upon; both Fish and the current fellow showed an especial liking for the . . . well, for the posterior regions of the anatomy. Dale looks at his cereal, then drops his spoon into the mush and pushes the bowl away with the side of his hand. And the letters. Can’t forget the letters. Dale glances down at his briefcase, crouched at the side of his chair like a faithful dog. The file is in there, and it draws him like a rotted, achy tooth draws the tongue. Maybe he can keep his hands off it, at least while he’s here at home, where he plays toss with his son and makes love to his wife, but keeping his mind off it . . . that’s a whole ‘nother thing, as they also say in these parts. Albert Fish wrote a long and horribly explicit letter to the mother of Grace Budd, the victim who finally earned the old cannibal a trip to the electric chair. (â€Å"What a thrill electrocution will be!† Fish reputedly told his jailers. â€Å"The only one I haven’t tried!†) The current doer has written similar letters, one addressed to Helen Irkenham, the other to Amy’s father, the awful (but genuinely grief-stricken, in Dale’s estimation) Armand â€Å"Beezer† St. Pierre. It would be good if Dale could believe these letters were written by some troublemaker not otherwise connected to the murders, but both contain information that has been withheld from the press, information that presumably only the killer could know. Dale at last gives in to temptation (how well Henry Leyden would understand) and hauls up his briefcase. He opens it and puts a thick file where his cereal bowl lately rested. He returns the briefcase to its place by his chair, then opens the file (it is marked ST. PIERRE/IRKENHAM rather than FISHERMAN). He leafs past heartbreaking school photos of two smiling, gap-toothed children, past state medical examiner reports too horrible to read and crime-scene photos too horrible to look at (ah, but he must look at them, again and again he must look at them the blood-slicked chains, the flies, the open eyes). There are also various transcripts, the longest being the interview with Spencer Hovdahl, who found the Irkenham boy and who was, very briefly, considered a suspect. Next come Xerox copies of three letters. One had been sent to George and Helen Irkenham (addressed to Helen alone, if it made any difference). One went to Armand â€Å"Beezer† St. Pierre (addressed just that way, too, nickname and all). The third had been sent to the mother of Grace Budd, of New York City, following the murder of her daughter in the late spring of 1928. Dale lays the three of them out, side by side. Grace sat in my lap and kissed me. I made up my mind to eat her. So Fish had written to Mrs. Budd. Amy sat in my lap and hugged me. I made up my mind to eat her. So had Beezer St. Pierre’s correspondent written, and was it any wonder the man had threatened to burn the French Landing police station to the ground? Dale doesn’t like the son of a bitch, but has to admit he might feel the same way in Beezer’s shoes. I went upstairs and stripped all my clothes off. I knew if I did not I would get her blood on them. Fish, to Mrs. Budd. I went around back of the hen-house and stripped all my cloes off. New if I did not I would get his blood on them. Anonymous, to Helen Irkenham. And here was a question: How could a mother receive a letter like that and retain her sanity? Was that possible? Dale thought not. Helen answered questions coherently, had even offered him tea the last time he was out there, but she had a glassy, poleaxed look in her eye that suggested she was running entirely on instruments. Three letters, two new, one almost seventy-five years old. And yet all three are so similar. The St. Pierre letter and the Irkenham letter had been hand-printed by someone who was left-handed, according to the state experts. The paper was plain white Hammermill mimeo, available in every Office Depot and Staples in America. The pen used had probably been a Bic now, there was a lead. Fish to Mrs. Budd, back in ’28: I did not fuck her tho I could of had I wished. She died a virgin. Anonymous to Beezer St. Pierre: I did NOT fuck her tho I could of had I wished. She died a VIRGIN. Anonymous to Helen Irkenham: This may comfort you I did NOT fuck him tho I could of had I wished. He died a VIRGIN. Dale’s out of his depth here and knows it, but he hopes he isn’t a complete fool. This doer, although he did not sign his letters with the old cannibal’s name, clearly wanted the connection to be made. He had done everything but leave a few dead trout at the dumping sites. Sighing bitterly, Dale puts the letters back into the file, the file back into the briefcase. â€Å"Dale? Honey?† Sarah’s sleepy voice, from the head of the stairs. Dale gives the guilty jump of a man who has almost been caught doing something nasty and latches his briefcase. â€Å"I’m in the kitchen,† he calls back. No need to worry about waking Davey; he sleeps like the dead until at least seven-thirty every morning. â€Å"Going in late?† â€Å"Uh-huh.† He often goes in late, then makes up for it by working until seven or eight or even nine in the evening. Wendell Green hasn’t made a big deal of that . . . at least not so far, but give him time. Talk about your cannibals! â€Å"Give the flowers a drink before you go, would you? It’s been so dry.† â€Å"You bet.† Watering Sarah’s flowers is a chore Dale likes. He gets some of his best thinking done with the garden hose in his hand. A pause from upstairs . . . but he hasn’t heard her slippers shuffling back toward the bedroom. He waits. And at last: â€Å"You okay, hon?† â€Å"Fine,† he calls back, pumping what he hopes will be the right degree of heartiness into his voice. â€Å"Because you were still tossing around when I dropped off.† â€Å"No, I’m fine.† â€Å"Do you know what Davey asked me last night while I was washing his hair?† Dale rolls his eyes. He hates these long-distance conversations. Sarah seems to love them. He gets up and pours himself another cup of coffee. â€Å"No, what?† â€Å"He asked, ? ®Is Daddy going to lose his job?’ â€Å" † Dale pauses with the cup halfway to his lips. â€Å"What did you say?† â€Å"I said no. Of course.† â€Å"Then you said the right thing.† He waits, but there is no more. Having injected him with one more dram of poisonous worry David’s fragile psyche, as well as what a certain party might do to the boy, should David be so unlucky as to run afoul of him Sarah shuffles back to their room and, presumably, to the shower beyond. Dale goes back to the table, sips his coffee, then puts his hand to his forehead and closes his eyes. In this moment we can see precisely how frightened and miserable he is. Dale is just forty-two and a man of abstemious habits, but in the cruel morning light coming through the window by which we entered, he looks, for the moment, anyway, a sickly sixty. He is concerned about his job, knows that if the fellow who killed Amy and Johnny keeps it up, he will almost certainly be turned out of office the following year. He is also concerned about Davey . . . although Davey isn’t his chief concern, for, like Fred Marshall, he cannot actually conceive that the Fisherman could take his and Sarah’s own child. No, it is the other children of French Landing he is more worried about, possibly the children of Centralia and Arden as well. His worst fear is that he is simply not good enough to catch the son of a bitch. That he will kill a third, a fourth, perhaps an eleventh and twelfth. God knows he has requested help. And gotten it . . . sort of. There are two State Police detectives assigned to the case, and the FBI guy from Madison keeps checking in (on an informal basis, though; the FBI is not officially part of the investigation). Even his outside help has a surreal quality for Dale, one that has been partially caused by an odd coincidence of their names. The FBI guy is Agent John P. Redding. The state detectives are Perry Brown and Jeffrey Black. So he has Brown, Black, and Redding on his team. The Color Posse, Sarah calls them. All three making it clear that they are strictly working support, at least for the time being. Making it clear that Dale Gilbertson is the man standing on ground zero. Christ, but I wish Jack would sign on to help me with this, Dale thinks. I’d deputize him in a second, just like in one of those corny old Western movies. Yes indeed. In a second. When Jack had first come to French Landing, almost four years ago, Dale hadn’t known what to make of the man his officers immediately dubbed Hollywood. By the time the two of them had nailed Thornberg Kinderling yes, inoffensive little Thornberg Kinderling, hard to believe but absolutely true he knew exactly what to make of him. The guy was the finest natural detective Dale had ever met in his life. The only natural detective, that’s what you mean. Yes, all right. The only one. And although they had shared the collar (at the L.A. newcomer’s absolute insistence), it had been Jack’s detective work that had turned the trick. He was almost like one of those story-book detectives . . . Hercule Poirot, Ellery Queen, one of those. Except that Jack didn’t exactly deduct, nor did he go around tapping his temple and talking about his â€Å"little gray cells.† He . . . â€Å"He listens,† Dale mutters, and gets up. He heads for the back door, then returns for his briefcase. He’ll put it in the back seat of his cruiser before he waters the flower beds. He doesn’t want those awful pictures in his house any longer than strictly necessary. He listens. Like the way he’d listened to Janna Massengale, the bartender at the Taproom. Dale had had no idea why Jack was spending so much time with the little chippy; it had even crossed his mind that Mr. Los Angeles Linen Slacks was trying to hustle her into bed so he could go back home and tell all his friends on Rodeo Drive that he’d gotten himself a little piece of the cheese up there in Wisconsin, where the air was rare and the legs were long and strong. But that hadn’t been it at all. He had been listening, and finally she had told him what he needed to hear. Yeah, shurr, people get funny ticks when they’re drinking, Janna had said. There’s this one guy who starts doing this after a couple of belts. She had pinched her nostrils together with the tips of her fingers . . . only with her hand turned around so the palm pointed out. Jack, still smiling easily, still sipping a club soda: Always with the palm out? Like this? And mimicked the gesture. Janna, smiling, half in love: That’s it, doll you’re a quick study. Jack: Sometimes, I guess. What’s this fella’s name, darlin’? Janna: Kinderling. Thornberg Kinderling. She giggled. Only, after a drink or two once he’s started up with that pinchy thing he wants everyone to call him Thorny. Jack, still with his own smile: And does he drink Bombay gin, darlin’? One ice cube, little trace of bitters? Janna’s smile starting to fade, now looking at him as if he might be some kind of wizard: How’d you know that? But how he knew it didn’t matter, because that was really the whole package, done up in a neat bow. Case closed, game over, zip up your fly. Eventually, Jack had flown back to Los Angeles with Thornberg Kinderling in custody Thornberg Kinderling, just an inoffensive, bespectacled farm-insurance salesman from Centralia, wouldn’t say boo to a goose, wouldn’t say shit if he had a mouthful, wouldn’t dare ask your mamma for a drink of water on a hot day, but he had killed two prostitutes in the City of Angels. No strangulation for Thorny; he had done his work with a Buck knife, which Dale himself had eventually traced to Lapham Sporting Goods, the nasty little trading post a door down from the Sand Bar, Centralia’s grungiest drinking establishment. By then DNA testing had nailed Kinderling’s ass to the barn door, but Jack had been glad to have the provenance of the murder weapon anyway. He had called Dale personally to thank him, and Dale, who’d never been west of Denver in his life, had been almost absurdly touched by the courtesy. Jack had said several times during the course of the investigation that you could never have enough evidence when the doer was a genuine bad guy, and Thorny Kinderling had turned out to be about as bad as you could want. He’d gone the insanity route, of course, and Dale who had privately hoped he might be called upon to testify was delighted when the jury rejected the plea and sentenced him to consecutive life terms. And what made all that happen? What had been the first cause? Why, a man listening. That was all. Listening to a lady bartender who was used to having her breasts stared at while her words most commonly went in one ear of the man doing the staring and out the other. And who had Hollywood Jack listened to before he had listened to Janna Massengale? Some Sunset Strip hooker, it seemed . . . or more likely a whole bunch of them. (What would you call that, anyway? Dale wonders absently as he goes out to the garage to get his trusty hose. A shimmy of streetwalkers? A strut of hookers?) None of them could have picked Thornberg Kinderling out of a lineup, because the Thornberg who visited L.A. surely hadn’t looked much like the Thornberg who traveled around to the farm-supply companies in the Coulee and over in Minnesota. L.A. Thorny had worn a wig, contacts instead of specs, and a little false mustache. â€Å"The most brilliant thing was the skin darkener,† Jack had said. â€Å"Just a little, just enough to make him look like a native.† â€Å"Dramatics all four years at French Landing High School,† Dale had replied grimly. â€Å"I looked it up. The little bastard played Don Juan his junior year, do you believe it?† A lot of sly little changes (too many for a jury to swallow an insanity plea, it seemed), but Thorny had forgotten that one revelatory little signature, that trick of pinching his nostrils together with the palm of his hand turned outward. Some prostitute had remembered it, though, and when she mentioned it only in passing, Dale has no doubt, just as Janna Massengale did Jack heard it. Because he listened. Called to thank me for tracing the knife, and again to tell me how the jury came back, Dale thinks, but that second time he wanted something, too. And I knew what it was. Even before he opened his mouth I knew. Because, while he is no genius detective like his friend from the Golden State, Dale had not missed the younger man’s unexpected, immediate response to the landscape of western Wisconsin. Jack had fallen in love with the Coulee Country, and Dale would have wagered a good sum that it had been love at first look. It had been impossible to mistake the expression on his face as they drove from French Landing to Cen-tralia, from Centralia to Arden, from Arden to Miller: wonder, pleasure, almost a kind of rapture. To Dale, Jack had looked like a man who has come to a place he has never been before only to discover he is back home. â€Å"Man, I can’t get over this,† he’d said once to Dale. The two of them had been riding in Dale’s old Caprice cruiser, the one that just wouldn’t stay aligned (and sometimes the horn stuck, which could be embarrassing). â€Å"Do you realize how lucky you are to live here, Dale? It must be one of the most beautiful places in the world.† Dale, who had lived in the Coulee his entire life, had not disagreed. Toward the end of their final conversation concerning Thornberg Kinderling, Jack had reminded Dale of how he’d once asked (not quite kidding, not quite serious, either) for Dale to let him know if a nice little place ever came on the market in Dale’s part of the world, something out of town. And Dale had known at once from Jack’s tone the almost anxious drop in his voice that the kidding was over. â€Å"So you owe me,† Dale murmurs, shouldering the hose. â€Å"You owe me, you bastard.† Of course he has asked Jack to lend an unofficial hand with the Fisherman investigation, but Jack has refused . . . almost with a kind of fear. I’m retired, he’d said brusquely. If you don’t know what that word means, Dale, we can look it up in the dictionary together. But it’s ridiculous, isn’t it? Of course it is. How can a man not yet thirty-five be retired? Especially one who is so infernally good at the job? â€Å"You owe me, baby,† he says again, now walking along the side of the house toward the bib faucet. The sky above is cloudless; the well-watered lawn is green; there is nary a sign of slippage, not out here on Herman Street. Yet perhaps there is, and perhaps we feel it. A kind of discordant hum, like the sound of all those lethal volts coursing through the steel struts of the KDCU tower. But we have stayed here too long. We must take wing again and proceed to our final destination of this early morning. We don’t know everything yet, but we know three important things: first, that French Landing is a town in terrible distress; second, that a few people ( Judy Marshall, for one; Charles Burnside, for another) understand on some deep level that the town’s ills go far beyond the depredations of a single sick pedophile-murderer; third, that we have met no one capable of consciously recognizing the force the slippage that has now come to bear on this quiet town hard by Tom and Huck’s river. Each person we’ve met is, in his own way, as blind as Henry Leyden. This is as true of the folks we haven’t so far encountered Beezer St. Pierre, Wendell Green, the Color Posse as it is of those we have. Our hearts groan for a hero. And while we may not find one (this is the twenty-first century, after all, the days not of d’Artagnan and Jack Aubrey but of George W. Bush and Dirtysperm), we can perhaps find a man who was a hero once upon a time. Let us therefore search out an old friend, one we last glimpsed a thousand and more miles east of here, on the shore of the steady Atlantic. Years have passed and they have in some ways lessened the boy who was; he has forgotten much and has spent a good part of his adult life maintaining that state of amnesia. But he is French Landing’s only hope, so let us take wing and fly almost due east, back over the woods and fields and gentle hills. Mostly, we see miles of unbroken farmland: regimental cornfields, luxuriant hay fields, fat yellow swaths of alfalfa. Dusty, narrow drives lead to white farmhouses and their arrays of tall barns, granaries, cylindrical cement-block silos, and long metal equipment sheds. Men in denim jackets are moving along the well-worn paths between the houses and the barns. We can already smell the sunlight. Its odor, richly compacted of butter, yeast, earth, growth, and decay, will intensify as the sun ascends and the light grows stronger. Below us, Highway 93 intersects Highway 35 at the center of tiny Centralia. The empty parking lot behind the Sand Bar awaits the noisy arrival of the Thunder Five, who customarily spend their Saturday afternoons, evenings, and nights in the enjoyment of the Sand Bar’s pool tables, hamburgers, and pitchers of that ambrosia to the creation of which they have devoted their eccentric lives, Kingsland Brewing Company’s finest product and a beer that can hold up its creamy head among anything made in a specialty microbrewery or a Belgian monastery, Kingsland Ale. If Beezer St. Pierre, Mouse, and company say it is the greatest beer in the world, why should we doubt them? Not only do they know much more about beer than we do, they called upon every bit of the knowledge, skill, expertise, and seat-of-the-pants inspiration at their disposal to make Kingsland Ale a benchmark of the brewer’s art. In fact, they moved to French Landing because the brewery, which they had selec ted after careful deliberation, was willing to work with them. To invoke Kingsland Ale is to wish for a good-sized mouthful of the stuff, but we put temptation behind us; 7:30 A.M. is far too early for drinking anything but fruit juice, coffee, and milk (except for the likes of Wanda Kinderling, and Wanda thinks of beer, even Kingsland Ale, as a dietary supplement to Aristocrat vodka); and we are in search of our old friend and the closest we can come to a hero, whom we last saw as a boy on the shore of the Atlantic Ocean. We are not about to waste time; we are on the move, right here and now. The miles fly past beneath us, and along Highway 93 the fields narrow as the hills rise up on both sides. For all our haste, we must take this in, we must see where we are. How to cite Black House Chapter Three, Essay examples

A Rose For Emily Essay Conclusion Example For Students

A Rose For Emily Essay Conclusion Power and Love in A Rose for EmilyOne of the most frequently anthologized stories by William Faulkner, A Rose for Emily, is the remarkable story of Emily Grierson, an aging spinster in Jefferson, whose death and funeral draws the attention of the entire town, the men through sort of respectful affection for a fallen monument, the women mostly out of curiosity. The unnamed narrator, which can be identified as the town, in a seemingly haphazard way relates key moments in Emilys life. In this story, Faulkner discusses the struggle for power relative to love. Emily believes that power and love are synonymous. The first part of Emilys life is spent with her father, Mr. Grierson. Two cousins visit her a while after her fathers death, but otherwise no other family members are mentioned. Emilys father has great control over her actions. He has power to keep her from finding a life outside of his: We remembered all the young men her father had driven away. Emily learns through her relationship with her father that the only way to love is through power. He dies when Emily is about 30 years old, and, while it gives her freedom, she mourns his death. The power held over her, which Emily interprets as love, is gone. Emily never experiences a normal relationship. The townspeople do not feel affection for her in the traditional sense. Instead, they regard Emily as a tradition, a duty, and a care; a sort of hereditary obligation upon the town. Emily is somewhat of a recluse. After her fathers death, she is not seen for a long time. Two years later, after her lover Homer Barron disappears, she stays alone inside her house for at least ten years. During this time, her only relationship with another person is with her manservent, or Negro, Tobe. This relationship mimics that with her father in that she holds power over him. Faulkners reference to Tobe as the old Negro rather than by his name, while congruent with feelings of that time, reinforces the nature of their impersonal, servile relationship. Once again, Emily replaces affection with power. After her fathers death, Emily is finally able to have a romantic relationship. She has a fling with a Yankee road paver, Homer Barron. It seems, however, that she is more infatuated with the relationship than he. Emily had been to the jewelers and ordered a mans toilet set in silver, with the letters H. B. on each piece. . . .We the town said, They are married. Homer, however, remarks that he was not the marrying type. Emily then uses the only means she knew how to hold onto her lover. She embraces power by murdering him to hold him down and keep him at her side forever. As we can see from the tragic ending of the story, power does not always give us everything we desire. Emily had power over Homer Barron, but she did not obtain his love. Instead of holding a lover by her side, Emily clung to a lifeless, rotten body. In the story, Faulkner indicates that Emily may have realized this. Her hair turns gray and she becomes grotesquely fat. That she no longer has power over her own physical appearance symbolizes that she no longer loves, or has confidence in, herself. Forty years after Homers death, Emily dies at age 74 and her secret is discovered. Tobe becomes free at the death of his master, symbolizing the release of power and its disassociation with affection. In the very last sentence, we saw a long strand of iron-gray hair, we realize the pathetic nature of Emilys life and sympathize with her. She never experiences true love outside of the restrictive reigns of power.

Physically Fit Essays - Brian Welch, Converts To Christianity

Physically Fit Getting Physically Fit As I flipped through a magazine of Mens Health, I saw muscular males with abs of steel, muscles that were ready to burst, and attractive females around each arm. This was a common occurrence when I looked through other magazines such as GQ or Mens Fitness and my mind usually wondered if being physically fit was the way to be. Getting physically fit could cause me to become more muscular, and also increase other self-traits such as self-confidence, and increased stamina. So one day I decided that I should maybe try to do something with myself. The life I was leading was not something I was proud of though. On a normal day I would hang out around the house and waste time by playing video games. Doing this on a normal basis caused me to gain weight and become lethargic as time drifted on. My motivation to do anything lacked and I would normally sit on the couch and watch TV when I wasnt playing video games. My friends and family would tell me to get out and start doing productive activities and I ignored each request. I didnt see myself as others and I usually thought that doing my daily routine was acceptable. As time progressed, I became more exposed to TV ads and magazine articles on how simple it was to become physically fit. I would read intriguing articles from Mens Health that pushed me to become an ideal male. Besides that, I noticed that some of my friends were already pushing themselves to become fit so that made me think twice on the idea of becoming physically fit. Another event that motivated me to get the ball rolling was when I actually looked at myself at the mirror. I would usually look at the mirror to fix my hair and to see how I looked with my clothes but when I truly looked at myself, I wasnt comfortable with the reflection. The reflection needed to be improved and my motivation to do so increased. After I put all the motivational factors together, I went to the gym to get physically fit for numerous months and the results were spectacular. First off, I felt more confident with myself as a person and my attitude was an improvement. I would walk in to malls with my head up and I would usually get second looks from females. The feeling of self-accomplishment ran through my body and it felt excellent. Another benefit from being fit was that I had enhanced my stamina. A game of basketball would last me hours and I wouldnt get as tired. Most of all, my self-esteem had increased as well and the reflection from the mirror was no longer a disgrace. Through my hard work and determination, I was able to get physically fit. The results were what I hoped they would be. With the increased self-confidence and self-esteem, I felt better and others were more willing to accept me as a person rather than a lousy couch potato. Following the examples of magazines and TV ads may have been a shallow decision but they were motivation, which I really lacked at the time. In conclusion, my picture should be in the cover of Mens Health with two beautiful women on each arm in the future to come. English Essays

Brave Analysis Professor Ramos Blog

Brave Analysis Introduction Disney princess movies are watched by many children in this country, and there are certain stereotypes that these movies build in young minds. In order for these specific movies to be productive is to provide a good moral for children to learn from. Unfortunately, almost every Disney princess movie up until very recently hasn’t had the most productive morals. A way in which a princess movie can have a good moral is to have a strong female protagonist, like a lady who is able to think and make decisions for herself. She also needs to be able to rescue herself from the conflicts in the movie, at least for the most part. This is the most important aspect because it teaches children to not feel helpless. Another important lesson for children, especially young girls, is that they don’t need to find a romantic love interest to be happy. In other words, true happiness comes from within, not from a prince. Finally, modern day princesses need to be more relatable and have less u nrealistic personalities and body types. Most Disney princess movies fail at these aspects but the film, Brave, does not. Summary of Brave (No Spoilers) Disney’s exemplary film, Brave, was released in June of 2012. This princess movie has a rather different format than the ones that came before it. The protagonist, Merida, is a Scottish princess who defies tradition throughout the film. She meets her initial conflict when she faces betrothal, which she sees as a threat to her freedom. She rebels against her planned marriage, deciding for herself that she isn’t ready to marry, and that she may never feel the need to do so. The first time I saw Brave was at the movie theater. As a kid at the time, my first thought at the end of the film was â€Å"well I’ll be darned, that sure wasn’t what I was expecting.† As someone who grew up watching Sleeping Beauty and The Little Mermaid, I was shocked. This movie shattered my previous conceptions of what composed a princess movie. This is, in my opinion, the most important Disney princess movie yet. Brave defies the stereotypical role of the princess as a distre ssed heroin who must be saved by an age-appropriate male and instead features a princess capable of solving her own problems in her own way. Instead of marrying a foxy male savior at the end of the movie like many Disney princesses have, Merida works throughout the film to prevent her fate, which consists of being forced to wed someone she doesn’t even know. For example, during the archery tournament in which suitors compete for her hand, Merida steps forward with her bow in hand and says, â€Å"I am Merida, firstborn descendant of clan DunBroch. And I’ll be shooting for my own hand!† She does this as a display of her rebellion against her planned marriage. Typically, even the most hard-headed female protagonists like Mulan or Belle develop some form of romantic relationship at the end of the story. To quote the article, Disney’s Darlings: An Analysis of The Princess and the Frog, Tangled, Brave and The Changing Characterization of the Princess Archetype, â€Å"Merida’s defiance challenges the romantic conventions of nearly all Disney films† (Stephens 102). I really enjoy this part of the movie as an adult because it teaches young girls, like my two younger sisters, that they don’t need to marry a prince to be happy. This is crucial for a modern-day princess movie because the misogyny associated with the â€Å"damsel in distress† type princesses is frowned upon now more than ever. Princesses need to be independent and strong, because the minds of girls and boys are shaped by these characters, and Merida is the best example of that strength. By this I mean that Merida is the strong female protagonist that Disney princess movies have needed all along. The co-director herself says in a Ted Talk that she â€Å"created a princess in Merida who would self-advocate who had self-esteem who had self-respect† (Chapman). The Over-Romanticizing of the Princess The psychological aspect of why this movie is positively amazing, is that it alters the way people see princesses. Merida is a skilled archer, she openly rebels against the authority of her mother, and doesn’t require help to solve most of the obstacles she runs into. Before Brave was released, my idea of Disney princess was very different from Merida. The princesses I knew were pretty, frail women who were naturally skilled singers and destined to meet a prince that would save them, or at least help them with a predicament. When I was a kid, I recall oftentimes watching the movie, Sleeping Beauty, a film in which the female character would be in a coma at the end of the story had not the wonderful Prince Philip came along and saved her by sexually harassing her while she slept. I didn’t realize until later in my life how this awful moral affected the way my mind worked. The message of the film actually altered my mindset. I wanted nothing more than to someday get marri ed and live happily ever after, like Aurora. I associated a happy life with marriage, even though there are many other paths to being happy. According to the article, Disney Princesses Are My (Imperfect) Feminist Role Models, â€Å"The plots of these films disproportionately center on romance and love at first sight.† What the author is saying is that princess movies excessively focus on romanticizing the lead female character (Siede). Because of this, Brave was a shocker to me. Merida didn’t want anything to do with marriage from the very beginning of the film to the very end. Brave might just have been the push many young women needed to have less romanticized goals in life. Princesses’ Effect on Body Image The article, Pretty as a Princess: Longitudinal Effects of Engagement With Disney Princesses on Gender Stereotypes, Body Esteem, and Prosocial Behavior in Children, expresses that along with life goals, princess movies also have the potential be dangerous for young girls’ body image. Disney princesses are always unrealistically thin, along with having perfect hair and ridiculously large eyes, which affects the way girls see themselves (Coyne et al.). Despite the fact that Merida is extremely thin, her hair differs from other princesses in that it is very large and curly. She also walks without the grace of a â€Å"lady† and has a very unrestrained laugh, which are all more realistic attributes that are actually relatable to those of us who don’t look like the â€Å"standard† princess. Summary To summarize, Brave is a very unusual princess movie, and Merida is quite the untraditional princess. As a person who has watched many princess movies, it is my educated conclusion that Brave is not only a good film but the best Disney princess movie. This movie shattered stereotypes and showed that Disney has come a long way. It is more progressive in its portrayal of the female protagonist, and, in doing so, it inspired more movies like it and films that are better suited for young minds to see. Brave displays a strong female character that little girls and boys can look up to and learn from. Merida is relatable in that she makes mistakes, has flaws and is extremely stubborn. She differs from other princesses because she never backs down from a challenge, nor does she rely on a man to save her. There is no romance in this film involving Merida, which I really like, because it shows that princess movies can be just as moving without the protagonist being romanticized. This movie is important to me because my little sisters can watch it and see that ladies can be independent and strong-minded without any rescuing. Their true value comes from their own sense of self-worth, not from a prince. : 1. Brave. Directed by Brenda Chapman and Mark Andrews, Disney, 2012. 2. Chapman, Brenda. â€Å"The moment I became a feminist.† Ted Talks. Berkeley, California.    Guest lecture.   Accessed 21 November 2018. Link to video: https://www.youtube.com/watch?v=Loc10c2cu0gt=431s. 3. Coyne, Sarah M., et al. â€Å"Pretty as a Princess: Longitudinal Effects of Engagement With Disney Princesses on Gender Stereotypes, Body Esteem, and Prosocial Behavior in Children.†Ã‚  Child Development, vol. 87, no. 6, Nov. 2016, pp. 1909–1925.  EBSCOhost,  doi:10.1111/cdev.12569. Date accessed: 22 November 2018. 4. Siede, Caroline. â€Å"Disney Princesses Are My (Imperfect) Feminist Role Models.† Boing Boing. 24 October 2014. boingboing.net/2014/10/24/disney-princesses-are-my-impe.html. Date accessed: 22 November 2018.   5. Sleeping Beauty. Directed by Clyde Geronimi, Disney, 1959. 6. Stephens, Jena. â€Å"Disney’s Darlings: An Analysis of The Princess and the Frog, Tangled, Brave and The Changing Characterization of the Princess Archetype.†Ã‚  Interdisciplinary Humanities, vol. 31, no. 3, Fall 2014, pp. 95-107.  EBSCOhost,  search.ebscohost.com/login.aspx?direct=truedb=a9hAN=101481692site=ehost-live. Accessed 19 November 2018. Photo Credits: Link to Brave front cover picture: lacasadeel.net/wp-content/uploads/2012/08/brave-pelicula-2012.jpeg Link to Merida fighting picture: https://thefeministwire.com/wp-content/uploads/2012/07/brave.jpeg Link to Sleeping Beauty Picture: https://thebroketypist.files.wordpress.com/2011/10/sleeping-beauty.jpg Link to Cinderella Picture: https://janeaustenrunsmylife.files.wordpress.com/2015/03/cinderella-wedding-day-shoe.jpg Link to Princess Body Type Picture: https://img.buzzfeed.com/buzzfeed-static/static/2015-06/26/10/enhanced/webdr14/edit-wide-23390-1435327406-2.jpg

50 Words for Writing

50 Words for Writing 50 Words for â€Å"Writing† 50 Words for â€Å"Writing† By Mark Nichol As an unabashed proponent of reasonable elegant variation the moderate use of synonyms to avoid tiring repetition of a specific word throughout a passage I offer this assortment of terms for a piece of writing: 1. Article: This word, with the diminutive -le as a clue, refers to a small part of a publication (thus, the extension of the word to mean â€Å"thing† or â€Å"item†) more specifically, a piece of nonfiction that appears in a periodical or on a Web site. (It also refers to a section of an official piece of writing.) 2. Brief: Breve, the Latin predecessor of this synonym for short, acquired the connotation of â€Å"summary† or â€Å"letter† when it was used in the Roman Catholic Church to refer to a missive less extensive than a bull. (That word comes from the Latin word bulla, â€Å"knob,† referring to the seal that ensured discretion.) Brief now refers to a legal summary hence briefcase. 3. Causerie: This noun form of the French verb causer, â€Å"to chat,† directly borrowed into English, means â€Å"a brief, informal essay.† 4. Chronicle: This term, derived from the Greek term ta khronika (â€Å"the annals†), refers to a an account of a succession of historical events. 5. Column: This word originally referred to a vertical block of type on a page, echoing the original meaning of â€Å"pillar.† Early journalistic publications, which made no pretensions to objectivity, laid out various pieces of writing in distinct columns, hence the modern connotation of an article advocating a point of view. 6. Commentary: The Latin term from which this word derives, commentarius, refers to personal writing, but the modern sense is of an opinion piece. 7. Composition: This descendant of the Latin word compositionem (â€Å"putting together†) refers to the assemblage of sentences that constitutes a written effort, either in general or in the specific reference to a scholastic exercise. 8. Critique: A critique, as the name implies, is a work of criticism; the connotation is of a formal, erudite dissection of another written work (or any creative endeavor). 9. Diatribe: Interestingly, this word’s Latin precursor, diatriba, has the neutral connotation of â€Å"learned discussion.† A couple hundred years ago, it acquired the sense, now exclusive, of harsh criticism or complaint. 10. Discourse: The meaning of discursus, the Latin term from which discourse stems is â€Å"the act of running around,† suggesting the process of progressing through a written argument. 11. Discussion: Despite the resemblance of this word to discourse, there is no relation; the Latin origin is discussus, meaning â€Å"to break apart,† which led to the noun discussionem and its sense of â€Å"examination.† 12. Dissertation: The term from which this word’s Latin ancestor, dissertationem, is ultimately derived means â€Å"to take words apart†; the primary sense now is of scholarly writing that examines or debates an assertion. 13-14. Document: The Latin term documentum (â€Å"example, lesson, proof†) now has a generic sense of any piece of writing. Documentation, however, implies information provided to support or authenticate other writing, and is used especially in computing and in academic research. 15. Editorial: This word derives from the direct borrowing of the Latin term editor (â€Å"one who presents†). As the entry for column explains, all editorial content was originally subjective, but in modern journalism, the term refers to a statement of opinion by a periodical’s management or by a guest commentator. The latter variety is often relegated to an op-ed page. (The latter term is an abbreviation for â€Å"opposite the editorial page† that being the sheet on which the publication’s own arguments are printed.) 16. Essay: The meaning of this word is â€Å"attempt† (it’s related to assay, which refers to a test of a metal’s purity), with an original connotation, long since muted by the quotidian ubiquity of the scholastic assignment by that name, of a written opinion presented for the audience’s approval. 17. Examination: The sense of â€Å"test† for this word (or for exam, the truncated form that has largely supplanted it) follows the original meaning of â€Å"test or judging in a legal context† (hence the judicial term cross-examination). 18. Exposition: This word derived from the Latin term expositionem (â€Å"something shown or set forth†) can mean â€Å"narration† or, more often, â€Å"explanation; the latter sense is employed in literary criticism to refer to the author’s technique in revealing background details. 19. Feature: This term, taken from Latin by way of French, means â€Å"a formation.† In writing, it refers to an article specifically, usually a profile of a person, place, or thing, perhaps with a more conversational style, as opposed to a more straightforward news or informational piece or an opinion. 20. Guide: This word from the same term in French, originally meaning â€Å"one who shows the way,† refers to publications that inform readers about how to do something or where to visit. It may be extended to guidebook. 21. Memorandum: Taking directly from the Latin word for â€Å"(thing) to be remembered,† this word, and its abbreviation, memo, refer to an official note. 22. Minutes: This word, which stems from the Latin phrase minuta scriptura (literally, â€Å"small writing†), refers to a record of a meeting or a similar event. 23. Monograph: This word, which literally means â€Å"writing about one (thing),† refers to academic writing on a topic. 24. Narrative: The Latin term narrationem means â€Å"recounting,† and this word is a synonym for â€Å"story,† though it also specifically refers to storytelling style. 25. Polemic: This Anglicization of the French word polemique (â€Å"controversial†) means â€Å"a harsh response to or refutation of an opinion.† 26-28. Paper: This meaning an example of synecdoche, in which the name for a material stands in for something made of that material (as in wheels as slang for car) describes a scholarly written presentation. A variation is white paper, a piece of writing prepared for or by a government entity or a business to inform or persuade. By contrast, a green paper is a preliminary version of a white paper. 29. Proces-verbal: This French term meaning â€Å"verbal trial† is an unnecessary synonym for report unless, perhaps, one wishes to mock the formality or pretension of a report. 30-33. Prolegomenon: This mouthful of a synonym for preface, taken directly from Greek, means â€Å"to say beforehand,† though it may be used in a more general sense than preface, which usually refers to a specific component of a book. (A book preface, by the way, is distinguished from the proximately placed foreword by the fact that it is the author’s statement of purpose, intended audience, scope, and content. A foreword, by contrast, is a recommendation from another person. There may also be an introduction, which orients the reader to the topic.) 34. Propaganda: This word, stemming from the Modern Latin word for â€Å"propagating,† was used by the Roman Catholic Church in the sense of disseminating the Gospel. Since then, it has acquired a derogatory connotation, referring to true, slanted, or fabricated information designed to promote one’s, or criticize another’s, position or ideology. 35. Proposition: Like many words on this list, proposition comes down almost intact from Latin in this case, from propositionem, meaning â€Å"a statement.† In rhetoric, it is specifically the initial statement of an argument, or a point offered for consideration. It is also employed to refer to a type of referendum. 36. Rant: Alone among all the words on this list, rant is from a Germanic language, rather than Latin or Greek: Randten means to talk foolishly, and a rant is an emotional and perhaps irrational criticism in speech or in writing. 37. Report: This translation of the Latin word reportare, meaning â€Å"to carry back,† in noun form refers to a written or spoken account. More specifically, it acquired the sense of an investigative summary and, by extension, a scholastic exercise. 38. Review: This word, from the Latin verb revidere (â€Å"to see again†) by way of French (as the noun reveue) is used as a less formal synonym for critique (a written evaluation of a creative product). 39. Screed: This word (from the Old English term screde, â€Å"fragment,† and related to shred) needs context assistance, because it can mean â€Å"informal writing,† â€Å"a long speech,† or â€Å"a rant.† The last sense is the most frequent, but make sure, whatever usage you intend, that your readers will understand your intent. 40-41. Script: This derivation of the Latin word scriptum, â€Å"a piece of writing,† is versatile. It can refer to a piece of writing in general, to a set of instructions, or to a copy of a play, a screenplay, or a similar work, as well as to a brief computer program. It also has an informal connotation of an orchestrated version of reality that all associated parties are expected to adhere to. Manuscript literally means â€Å"a piece of writing produced by hand,† though now it has the more general meaning of a draft of writing at any stage of preparation, as opposed to a published version. 42. Study: Based on the Latin term studere, â€Å"to be diligent,† the verb gave rise to the noun meaning â€Å"evaluation† or â€Å"experiment† and then to a sense of a written account of the procedure. A case study is an account of a particular person, event, or situation. 43. Testament: Testamentum, in Latin, means â€Å"will,† as in the legal document, as does the English derivation, but it can also mean â€Å"a supporting statement.† 44. Testimonial: This word, derived from the Latin term testimonium, which originally referred to biblical scripture, came to mean â€Å"an attestation of the virtues of a person or thing.† 45. Theme: This word comes from Greek, meaning â€Å"something set down,† and is akin to thesis (see below), though it often refers merely to a student composition. 46. Thesis: Thesis stems from the same Greek root as theme (tithenai, â€Å"to set†); the former word, like the latter, means â€Å"something set down.† The formal meaning is of a piece of writing produced as a requirement for a college degree, but it also has a general sense of â€Å"a statement to be proved† and as such can refer to an introductory argument in a larger work. 47. Tract: A truncation of the Latin term tractatus, â€Å"a treatment,† tract has an often pejorative sense of a piece of propaganda (see above) or something reminiscent of such, often in pamphlet form. 48. Treatise: This word stems from a French derivation of the Latin term tractatus (see above) and refers to an argument that discusses and analyzes a topic. 49. Treatment: Treatment, which has the same root as treatise, is usually employed to refer to an outline or early adaptation of a screenplay. 50. Write-up: This informal term for a piece of writing can carry a connotation of a work with an unduly positive bias, so take care that the context communicates this intent or the lack thereof. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:36 Adjectives Describing Light34 Writing Tips That Will Make You a Better WriterOne "L" or Two?

MJ refleection week 7 Essay Example | Topics and Well Written Essays - 250 words

MJ refleection week 7 - Essay Example With my positive attitude towards genetics, I have an intrinsic motivation to understand information about Becker muscular dystrophy, its genetic cause, and possible management. I am even motivated to cross reference for clarity of some information in the text that appeared challending (The New York Times 1). Based on my positive attitude towards genetics, seeing the DNA artwork captured my attention and I sought and succeeded in understanding the artist’s motivation and achievement in developing the art. I also understood, based on the artist’s success, that local researchers can used people’s preferences for DNA patterns to understand behavioral orientations, and I plan to implement this in future (The Telegraph 1). The text, ‘a hidden genetic code,’ is however less attractive due to its lack of graphics, but the desire to figure out genetic information and configure involved patterns motivates me to read though it and I have managed to synthesize the contents (Reuell 1). The Telegraph. â€Å"DNA artwork created by German university student.† The Telegraph. September 7, 2008. Web. March 10, 2015.

Company Law, Business Law Essay Example | Topics and Well Written Essays - 750 words

Company Law, Business Law - Essay Example Adam does have several options that he can choose should he decide. Adam can decide to accept the decisions of the board of directors and understand that they do not need the approval of shareholders for certain high-value transactions. The magnitude of special resolutions will determine whether the board of directors would have needed the approval of the shareholders. Further, Adam has the option as a stockholder and a member of the general public to trade his shares publicly, or he also has the option of selling his shares of the company to the majority of the shareholders who agree with the special resolutions that were implemented by the board of directors. In the case of First American Bank v. Shivers, Robert W. Shivers, a shareholder, voted against a merger agreement with FABM Acquisition Bank. He and his fellow shareholders comprised less than the number of bank shareholders needed to defeat the proposal. Adam also has the right to propose questions to the board of directors r egarding the two recent special resolutions. ... Further, Anton does enter into a contract with a local computing company that is operated by one of his friends. During the business transactions, Anton receives a laptop computer and gives it to his son as a birthday present. Samantha is very satisfied with the quality of her new IT system; however, she does discover that Anton has received a laptop computer, and has given it to his son as a birthday present. Samantha should confront Anton about the situation with the laptop computer, and instruct him that he cannot personally give merchandise to his family and friends that have been acquired within the business. Samantha should also instruct Anton to retrieve the laptop computer that he has given to his son. Anton should return the laptop computer of the local computing business if it was given to him as a favor because the company is operated by one of his friends. If the laptop computer was given to Anton for company use, then he still needs to retrieve the laptop computer, and i t needs to be used by Samantha's company for business use. In the case of IBG Insurance Services Corp v. Superior Court - No. 3153400 (Cal. Ct. App. 2002), Robert Zieminski, a senior executive for IBG Insurance Services Corporation, violated the "electronic and telephone equipment" policy statement of the company when he accessed certain explicit websites from his computer at work. He used two computers, one computer at home and one computer at work. When he was caught accessing certain websites from his computer at work, IBG demanded that the computer that Zieminski was utilizing at home be returned. However, Zieminski explained that his wife and children were utilizing the computer at home for personal

Health Prevention of Heart Disease for Plano Texas Essay Example for Free

Health Prevention of Heart Disease for Plano Texas Essay Due to the increase risk for Heart disease in Plano, the population is Risk for developing Hypertension which in turn could result in decreased cardiac output, activity intolerance, imbalanced nutrition by taking more than body requirements, and a learning deficient in regarding condition, treatment plan to include, diet, exercise, follow up, Untreated Hypertension potentially puts them at risk for Congestive heart failure, angina, or myocardial infarction. These in turn can result in severe pain, decreased cardiac output, ineffective tissue perfusion, and again a learning deficient in regard to condition, treatment plan and self-care after discharge. Development of any of the above puts the patient at risk for potential anxiety and depression which may be a result of changes in role, particularly for the male bread winner, thus resulting in a threat or change in socioeconomic status, changes in environment and routines or threat or perceived threat to self-concept and Interpersonal conflicts. In assessing readiness to learn in Plano, Texas it is important to note over 53% of adults have a bachelor’s degree or higher (more than twice the national average) (Demographics). This population is in a better place to absorb knowledge. Typically, young and middle-aged adults participate more than older adults, and the average age in Plano is 37. 2 so this is a positive for learning as we move forward on our Health Promotion plan (Adults). The population more at risk for difficulty in learning is the homeless. The total number of homeless as of September 2012 is 291; this is a 55% increase since last year (Conrad, 2012). Although this is not a huge number comparatively it is significant in evaluating readiness to learn. Homeless people are at a great disadvantage for receiving access to education because it is not as easily readily available to them. There are a number of community resources for the homeless, and it is important we work with The Samaritan Inn, The Family Promise Network, My Friend’s House as well as the Collin County Homeless Coalition, and the Metro Dallas Homeless in presenting the education materials we stand a better chance of the material being received, absorbed and applied by the homeless population. It is also important to work with these programs to see if the education is being implemented within the facilities by evaluating meal selections, access or encouragement of exercise. This can serve as not only physical by emotional advantage to all at risk patients.

Mother Loves Me :: essays papers

Mother Loves Me Children usually form a powerful and unseparable bond with their family. These fortunate angels get all the love and attention they call for. But for children less fortunate, they are also in need of love and care. For example, Jerry, a twelve year old orphan in the short story A Mother in Mannville by Marjorie Kinnan Rawlings, had experienced his young life without a family. He was sent to the orphanage at the age of four. However, as he started to spend time with the writer who lived in a cabin below the mountains, Jerry felt a great maternal affection towards her. They became very close and, hence, developed a strong relationship between them. For Jerry and all children, a child's true wish is for their mother's love. A period of time after Jerry had been with the writer, he developed a strong affection towards her. One night, sitting with the woman in front of the warm fire, Jerry became sentimental, telling her that she looked a little like his mother. He told a moving story about his mother, who lived in Mannville, and how she always sent gifts to him on Christmas and on his birthdays. But the story was later revealed that Jerry never had a "mother in Mannville." He fabricated the lie because he loved the writer just as much as he would love his own mother. Jerry felt that the woman was very close to him, and being with her gave him a warm feeling-a feeling like home. Even the writer's dog, Pat, was intimate and never barked at him. To Jerry, the writer and Pat were a part of his life. If Jerry never felt this kind of motherly love from the woman, he would not have lied about his "mother in Mannville." In other words, if the writer was not as nice and understanding, Jerry would not have lied. He would never want a mother who does not care about him. When Jerry lied about his mother, he wanted the writer to realize that he was really referring to her as his "mother." There was no distance between them and Jerry always felt safe and comfortable to talk to her. But if Jerry never sensed the passion and

Costs and budgets

The management of costs is a very important aspect of managing financial resources. If costs are not managed effectively, it can lead to profits being damaged and the business potentially unable today its expense. Keeping within a budget, increasing income in order to cope with change and making sure that working capital is available and money and set aside for emergencies is all part of the balancing exercise. Costs managed to budget McDonald’s budget was adverse as there was a miscalculation and McDonalds managed to overspend. This is because the management team at McDonalds under budgeted on certain aspects like staffing, security and utility bills. Costs managed to budget there are two main types of costs: Fixed cost – these are costs that do not change regardless of the number of goods that sold or services that are offered. These costs include rent, insurance, salaries. Whatever McDonalds makes whether its 100 or 10,000 products, these cost must be paid. Variable cost – these are costs that change depending on McDonalds output. So if McDonalds makes a burger it will have varying requirements for amounts of bread, meat, fish, cheese and lettuce head will depend on how many burgers the make. Break –even point Businesses can use the calculations that they make of fixed costs, variable costs and sales to work out the point at which their costs equal their sales. This is known as a break-even, this is essential for McDonalds as this will work out how many products they need to produce and sell which will conclude them to know whether they are making a profit or a loss. To work out the break even you have to do a formula: BEP= Fixed Cost / Sales – Variable Costs per unit. This means that to work out break-even pint (BEP) you have to take fixed cost and divide it with the Unit contribution and take-away the variable cost per every unit. When McDonalds calculates their break-even point this would give them an understanding on how many products they need to sell before they can start to make a profit. There are two main costs that need to be managed to budget which are fixed costs and variable cost. Fixed costs are costs that do not change regardless of the number of merchandise that is sold or services that are offered. These costs are things such as rent, insurance and salaries. Regardless if the business is not making enough profit these costs have to be paid. Variable costs are the costs that change according to the output. These costs can change according to how many products are made for example MacDonald’s costs will depend on their product which is for example burgers. They will have varying requirements for the about of meat, burger buns, and so on how many burgers it makes. Budgeting is a very difficult process because it looks to give a guide to how much the business thinks it will spend in the future. Some businesses choose to use zero budgeting where the departments in a business are given no budget. But they have t ask the managers of their department for money based on what they think they will use in that year. The opposite of it is allocated budgeting this is when money is allocated for a budget and divided up into the amount of departments and the amount of people working there. The budget is normally set at the start of the financial year and the business must stick to its predictions. If the business is making more profit than they predicted that the outcome of that will be positive. Variance analysis is when a business measures the difference between what is budgeted and the actual costs or the sales revenue. If the result is better than expected than the budget is known as favourable but if the sales are lower than expected than the budget is known as adverse. A business should monitor the variances because is the business notices them early enough it can make changes to them and get back on track. Businesses can use the calculations that they make out of fixed costs, variable costs and sales to work out the point at which their costs equal their sales. This is known as break even, it shows how many products they need to produce and sell or the services they need to offer, the Business needs to get to the point where they are not making a profit or making a loss.

Tobacco 16th Century

Tobacco in the sixteenth century What is tobacco? The definition of tobacco is leaves of the tobacco plant dried and prepared for smoking or ingestion. For the English settlers in Chesapeake tobacco was there way of surviving. During the sixteenth century a man planted tobacco in Virginia for the first time and found it took well to the climate. Once the tobacco started growing it needed much attention and great care by hand. Workers were needed around the clock to tend to the crops. The settlers realized that tobacco could be there way to riches.The growing of tobacco not only helped the English settlers but also the English monarchy, ships men, and merchants. In 1612 John Rolfe planted seeds of tobacco plants that had been found originally in the West Indies and Venezuela. The plants grew very well and he started to experiment with methods of curing the leaf further enhancing its flavor. Rolfe sent his first shipment of tobacco to London in 1614. After this it became clear to settl ers that they could make a fortune in Virginia by growing tobacco. In 1617 the colonists made their first commercial shipment to England.When the shipments first arrived they product was hardly known but Sir Walter Releigh Helped to make tobacco smoking popular among the English. At first tobacco was sold at a very high price were only the wealthy could partake, but once the English colonist began to grow and ship an abundance of tobacco the price became much lower and tobacco was an indulgence for many. The shipping of tobacco to England saved the Jamestown settlement. Before growing tobacco they couldn’t even grow enough corn to feed themselves.Once the colonist started growing tobacco it became very clear to them that it could be the road to a fortune. The revenue coming in from exporting tobacco kept Chesapeake alive and growing. The king saw all the wealth being made and so he put a tax on importing tobacco giving him a major financial interest. In the end the exporting of tobacco provided a livelihood for many, a fortune for a few, and valuable revenue for ships men, merchants, and the English monarchy. In order to make all the tobacco they shipped to England to gain their wealth the tobacco plantations needed workers.A hired man working on tobacco plantations could make two or three times more in Virginia than in England. Most of the workers on the plantation were indentured servants. These people have their trip to Virginia paid for by someone else then pay the person back by working in the tobacco fields for four to five years. The indentured servants were mostly young, male, and had no skills in the job force. They were thrown on a field and told what to do. Growing tobacco is a very time consuming job. First the fields had to be cleared by hand.Like the Indians the colonist â€Å"clered† fields by cutting a ring of bark from each tree, this was called girdling, killing the tree. Then colonist would use heavy hoes to till the fields. Ho les were then made with sticks and the tobacco seed was placed in each hole. Once the plants matured they were cut down and thrown in a pile to wilt. After the leaves dried a little in the piles they were striped from the stock of the plant and suspended from poles in drying barns or just out in the fields. Last after the leaves were dry, they were seasoned, packed up in casks, and shipped off.During all of this work the men, women, boys, and girls from the age seven and up would smoke tobacco in order to pass the time. As farming went on the owners of the fields’ realized that the indentured servants were hard to control and would soon be free of their contract to them. They first found ways to add time to their contract but found it hard and people were living through their time served. So Between 1670 and 1700 the Chesapeake tobacco plantations discovered slavery and slowly made the transition from servant to slave fixing the problem for the moment.Just when the colonists of Chesapeake thought they would be starving and have no money for the rest of their being John Rolfe showed up and planted tobacco seeds. The seeds grow well and the colonist learned how to make money from all the hard work they were putting forth. They also found cheap ways of getting workers. Pay for an indentured servant and have them work for up to 7 or 10 years or have slave that don’t ever leave the plantation. The tobacco business thrived for everyone entangled in it.Over thirty-million pounds of tobacco was exported from Virginia to England helping make Chesapeake thrive as a colony. Bibliography The Old Dominion in the Seventeenth Century: A Documentary History of Virginia, 1606-1700 /  Edition 1by  Warren M. Billings The American Promise, A compact history, fourth edition, volume 1: to 1877, by: Roark, Johnson, Cohen, stage, Lawson, and Hartmann WWW. fcps. edu/GunstonES/gunstones/speciaLprojects/Jamestown1612. htm Gale Encyclopedia of Biography :John Rolfe

The Fastest Way to Find Money to Write

The Fastest Way to Find Money to Write Got you on the edge of your seat, right? Everyone loves to find money, and in this business, so few people make much of it. I just returned from a conference where publishers and agents alike warned the attendees not to quit their day jobs because the competition is just so fierce. I appeared on three panels at PubSense 2015 in Charleston, South Carolina: One on promotion, one as an example of a small press success, and the third, which I moderated, on funding. My favorite topic. Sowhat was the hot topic of both the panel and the crowd when it came to finding money? Crowdfunding. Some people deflate thinking about the effort of crowdfunding, but it is 1) You set the bar as to how much you need. 2) You establish the rewards to those who donate to your cause. 3) You choose the crowdfunding site/platform that best suits your taste. 4) You are not judged 5) You develop a platform of ambassadors, followers, and fans during the process. 6) You become respected as an entrepreneur. 7) You might become discovered or picked up Projects to post and request money for? First of all, you dont say you need money to live on. Instead, you might show how you are soliciting funds for: 1) Research 2) Travel 3) Cover, editing, formatting 4) Public speaking 5) Performances 6) Part Charity in affiliation with the subject of your book 7) Raising awareness of a subject And if you dont like asking for money for a project? Many people dont like holding their hand out. Then consider using the platform to ask for pre-orders of your book. Hey! Thats not painful at all. My favorite crowdfunding sites: 1) Pubslush.com 2) Kickstarter.com 3) Indiegogo.com